Pages

Monday, February 23

Patterny

For my recent birthday I asked all my facebook friends to send me a pattern as a present. I hate all the monotony of 50 people just saying Happy Birthday on my wall. It was fun seeing what people sent me. And more fun playing with the images to transform them.
 I mostly worked on abstracting and thresholding the images to get a graphic that I could turn into a silkscreen positive. I'm currently teaching a fabric printmaking course at Fleisher, and it was nice to have some examples to bring in of how to make a positive for photo process.
 I don't know where these will lead, but it feels good to be producing something. The exercises in the creativity books I've been working through the last 2 months keep pointing out my obsession with pattern as a way of imposing my personal order on perceived chaos. Life is messy. Art doesn't have to be.
 I also played with digitally collaging all the images that were gifted to me together. There were 2 waves of offerings resulting in 2 images.
 Do they say more about me and my own aesthetic or about my friends' perception of me? Or my friends' sense of aesthetics? I think of the 2 I prefer the one below... less cluttered, more landscapy.
 Once I got started I couldn't stop. So I played some more with the patterns I'd extracted and superimposed them on some photos that have been waiting for me.
 They are both evocative of winter. Cold and dark and snowy. My body is ready for Spring and flowers, but my eyes do love Winter contrast. In Winter you see the bones of everything.
I've been trying to be more creative and productive. All this digital play is fodder for my needle and thread eventually. I'm spending more time in my studio corner than I had been. I also finally got up the drive to launch my own website. It is a start. Check it out www.marieelcin.com (I so love being really the only person in the world with this name....) Thanks to the people at Heavy Bubble for hosting and making it so easy.

Sunday, January 18

Happy New Year


I've started this New Year with 2 synchronistic opportunities. A group of art teachers I'm in has decided to work through The Artist's Way by Julia Cameron and one of the ministers at the Philadelphia Cathedral decided to lead a group through The Artist's Rule by Christine Paintner. It may be overkill doing both at the same time, but they are VERY similar in nature, and are intended to help lead people back into their creative selves and practice.
In the past 3 weeks I have nearly filled an entire sketchbook with writing and drawing and collaging and painting, because the Way recommends doing 3 pages of emptying the brain onto paper a day. The image above is response to a challenge in the Rule to write oneself a blessing for creative work. I wrote 3 pages of blessings, and this one was the most succinct.
I just sold 2 artworks from a show that I was invited to be a part of. I need to say YES to opportunities more often. I was just invited for another show. YES.
YES to making art.
YES to showing art.
YES to sharing with friends and students.
YES to loving my family.
YES to being myself.
YES.


Monday, November 3

In Memory

Happy All Saint's and All Soul's Day.
There's something particularly poignant to me about this season. I'm not big on the costumes and candy of Halloween, but I love the change of weather towards cold, the changing and falling of leaves, and how we remember our ancestors as Summer dies into Winter.
 Yesterday, November 1st, we celebrated Dia de Los Muertos in the sanctuary at Fleisher. The medieval saint statues were bedecked in marigolds and looked more lifelike than usual. The altar became a huge ofrenda.
 Aztec-style dancers did a ritual dance with drums beating and incense offered to the cardinal directions and Mother Earth in honor of our ancestors.
 It was breath-taking. In the face of death, we celebrate life vibrantly with color, flowers, dance, music, and food. It is life-affirming to be surrounded by community gathered in remembrance, in honor of ancestors.
This morning at the Philadelphia Cathedral, we also gathered to remember. The cloth I started two years ago was brought out and encircled those present while we prayed the Litany of the Dead. It is not long enough for our growing community, so I will be adding more before next year.

In speaking with my family about these two events, it made me think about the blur between culture and religion. Did we attend a religious event or a cultural event last night? this morning? Does it matter? In modern society we are sorely lacking in ritual and cultural traditions. They become overpowered by commercial purposes and consumerism. So striving to continue authentic ritual and cultural practices that connect us as community is worth it. Sharing with and supporting a cultural practice that does not reflect my personal ethnic background does not detract from my sense of self, but enriches my understanding of humanity. We honor our ancestors in different ways but at the root is that we are honoring our ancestors. If we seek the commonalities across cultures and religions we will recognize ourselves in each other. To me, this is the way toward peace.

May the souls of the departed rest in peace.

Saturday, October 18

Balance

I'm happy. Work is good. Life is good. Lately I'm noticing how important it is to feel connected to people. Here are some pretty awesome people I'm glad to have in my circle:
 We're a group of early-career art teachers who meet up at Tyler once a month to share ideas and stories. It's good to share with people who understand your challenges...

I miss another group that had come to be valuable to me... Last year I went to a yoga class every week at the YMCA. But now that I'm working 5 days a week at school, it conflicts. However, my teacher has been hosting a Flash Mob Yoga event at Love Park once a month. It as nice to see some of the crew and my wonderful teacher, Joy. She had a friend photographing the event, and shared this one with me:
I think it is the best picture I've ever seen of myself! I'm in balance. Exercise is a relatively new thing in my life. I always hated gym class, I couldn't run and move like other kids. But all the yoga last year started me off. Since school began in August I've been riding my bike to work almost every day- 10 miles a day!!! It has made a huge difference in how I feel. I have more energy and a way to relieve stress, and my inner self and outer self are starting to feel more unified. To have a body that can do what you want to do is a blessing.
Now if I can only find more time to make art I'll really feel in balance...

Monday, September 22

Shifting

This picture is from a waterfall at Ringing Rock Park in Northeast PA. My family went out a few weeks ago to explore. It's a place of incredible geology, with obvious evidence of how old and changing the earth is. A field of odd boulders sits in the middle of a forest. They are evidence of the passage of glaciers in an ice age thousands and thousands of years ago. This waterfall runs over a striated cliff. You can see the folds of the earth and the shifting of plates.
It seemed appropriate to visit this place right before the school year. The tectonics of my life have shifted a bit. I have been moved into a full-time position as a middle school art teacher at my school. My daughter has just started high school. At Fleisher I've begun teaching a new course on Basic Design. And with all this busy-ness, I've had no time for my own work. I've given up the studio at the Papermill, and moved everything back home, reclaiming my former bedroom spaces. It was painful to leave my beautiful space. The room of my own. I will miss it terribly. I do not know how this bodes for my art work. My creative energies are being tapped planning new curriculum and lessons (having to start from scratch for the middle school). I no longer have my free Mondays to work on my own endeavors. I feel like my artist self is hibernating at the moment. It's an unsatisfying feeling. However, it is balanced out with wonderful feelings of FIT in my new work situation.
I suppose a certain amount of dissatisfaction is what keeps us striving..

Monday, August 4

Hip Hip Hooray!

I Won!! Over the course of the faculty exhibit at Fleisher viewers were invited to pick their favorite work of art and submit a ballot to vote. So this was a people's choice award. From over 800 ballots I won! The exhibitions coordinator presented me with this lovely gold-painted wooden manikin and $100 prize. 
Feeling pretty proud today =)

Saturday, August 2

Recent work

I've been working at home and at Fleisher mostly lately- trying to spend time with the family but still get some art-making time in. I took a 2-day silk aquatint workshop at Fleisher last week. It was completely different than I expected, but I'm happy with the results and the possibilities it has for working with kids. I can't imagine doing it in elementary- but older kids could really do well, as long as there's a press available. I don't think it will really become a regular thing for me because I seriously hate inking plates.
 Above are the cards I printed. I wanted something useful for my efforts, so I printed my plates as a bleed print on one end of a 6x10 inch sheet. Below is my plate after printing and cleaning it off again. It works a little like a collograph. The screening adhered to the plate gives a texture that holds the ink well. Then you paint over it with gloss medium/white acrylic to create the design. Thinner washes create gray tones, and building up layers or using thick application creates the lights. My image was from a sketch of overlapping patterns from my sketchbook.
 I'm very happy to have completed this piece:
 It started as 2 photos from 7th street in south Philly. The background was the side of a neighbor building from a very recently torn-down building, and the wallpaper was still hanging on the walls. The overlay was from an Isaiah Zagar mural that had a doily impression in clay. The title is "Domestic Disturbance". It might be a bit harsh of a title, but it seems a propos.
I've just ordered the above digital image and the Queen Wyeth mashup from my last post to be printed for me from Spoonflower. The one above combines the rough wall of a shed on Norris street near my home and a pattern from a grill at Haghia Sofia in my former home of Istanbul. It blends together two extremes of environment- one run-down and poverty stricken, old from neglect, the other opulent, old but preserved. Me in the middle of two places. I've dubbed it Norris Sultana for the time being.
I've got a few more weeks before school starts again. Hopefully I'll be able to keep stitching.

Saturday, July 26

summery

You know you want to see this one in person... Only 1 more week to catch it at Fleisher.
 For the first time they're doing a viewer's choice award... I'm very curious who will win!!
I love this digital print and embroidery vein. I also recently discovered PIXLR, an online photo imaging tool similar to photoshop. Since I don't have photoshop on my laptop, it's a convenient way of altering my images. The one above is my latest mashup. I took the Queen Anne's lace from Brandywine and combined it with the decorative vent from Wyeth's studio repeated over and over. I like how the vent and flower forms echo each other. I have a few more images ready to be printed soon.
I've been very lazy this summer.. mostly spending time with family. We started playing tennis together. Went to the beach. Trying to figure out what's next.

Monday, July 7

Wyeth love

I took my (somewhat) annual pilgrimage down to the Brandywine River museum along with my aunt and uncle visiting from Virginia. My aunt shares my love of Wyeth, and we very happily wandered the museum enjoying N.C, Andrew, and Jamie. Today this picture struck me:
 It's a watercolor called "Black Water", and I love how the woman becomes part of the landscape, her inner self hidden from view- deep and unfathomable as the water behind her. Or perhaps that's just what I'd like to read into it.
 After wandering the museum we took the shuttle over to Andrew Wyeth's studio. They opened it up last year to tours, and this was really the pilgrimage part of the day. It's amazing to see the place where all the magic happens. You enter near the kitchen and see the public space, then move through a corridor to a library, then the former living room where Jamie Wyeth claimed studio space at some point and where Andrew's huge collection of lead soldiers is displayed. I was enchanted by the view out the window up the hill. The window panes making a perfect graph, revealing proportions of space and color. (Oh how I love a grid) Finally they reveal his studio space.
 A huge window looks out toward route 1 over fields. Light pours in and strikes bottles of dry pigment. An easel sits in the center of the room across from a cheval mirror. Photos and sketches are pinned around the room (no originals here sadly- the poor color photocopies of watercolors and sketches were a disappointment). The ceiling and walls are crumbled, spattered, chipped. (I couldn't resist a selfie in Wyeth's studio) They look just like the textures and colors of his paintings. I stroked the light switch on my way out, to touch something he'd touched. It's silly. My daughter teased me for "fan-girling". But despite the awkwardness of a tour guide telling stories,and roped cordons dictating one's movement, and the slight oddness of a curator's touch, I was enchanted to be in his space and feel his light and sense how he caught moments around him. I understand that.

Wednesday, July 2

View from the hoop

I keep using the word "Monster" to describe my big embroideries. For so long I only made small pieces- less than 8x10. So anything bigger seems gigantic. The recently finished "Welcome" in my previous post and this one in the hoop are about 16x17. It took me about 5 months to finish the last one. This one was printed at the same time, and I started stitching it in April, but worked only briefly on it since I hadn't finished the other. Now that all those french knots are finished, I have time for this next digitally printed embroidery. There's a patch of torn wallpaper on the side of a recently demolished building. So far I've used backstitch, satin, and seeding. Hopefully this one won't take 5 months...